Organizer

Mohammad Salemy is a Canadian independent critic, curator and artist. He holds a BFA from Emily Carr University and an MA in Critical Curatorial Studies from the University of British Columbia. He has shown his works in Ashkal Alwan's Home Works 7 (Beirut, 2015), Witte de With (Rotterdam, 2015) and Robot Love (Eindhoven, 2018). His writings have been published in e-flux, Flash Art, Third Rail, Brooklyn Rail, Ocula, Arts of the Working Class, Spike and camera Austria. Salemy's curatorial experiment For Machine Use Only was included in the 11th edition of Gwangju Biennale (2016). Salemy is a cofounder and the Organizer of The New Centre for Research & Practice since 2014 and the editor-in-chief of its publishing arm, &&& Triple Ampersand. He is also the editor of "For Machine Use Only: Contemplations on Algorithmic Epistemology" (&&&, 2016) and "Model is the Message: Incredible Machines Conference 2022" (&&&, 2023). in 2026, he will co-curate the central exhibition and the public program of mayrit Biennale of Architecture and Design in Madrid.