Cécile Malaspina is the author of An Epistemology of Noise (Bloomsbury, 2018) and principal translator of Gilbert Simondon's On the Mode of Existence of Technical Objects (University of Minnesota Press, 2017). She is directrice de programme at the Collège International de Philosophie, Paris (Ciph) and Visiting Research Fellow at King's College London and the University of the West of England, where her program for the Ciph is hosted by the departments of Departments of French and Philosophy respectively. She is contributing editor for Angelaki: Journal of the Theoretical Humanities; commissioning editor for the independent publisher Copy Press; and guest editor at Nature: Humanities and Social Sciences Communications. Cécile Malaspina obtained her doctorate in epistemology, philosophy and history of the sciences and technology from Paris 7 Denis Diderot and her Masters in contemporary French philosophy and critical theory from the Centre for Research in Modern European Philosophy (CRMEP) in the UK. Before turning to philosophy she trained as an artist, art historian (Goldsmiths) and curator (RCA). Her main interest lies in the normativity of concepts, especially with regard to the aesthetic and ethical implications of conceptualising contingency and uncertainty