Cécile Malaspina is the author of An Epistemology of Noise (Bloomsbury, 2018) and principal translator of Gilbert Simondon's On the Mode of Existence of Technical Objects, with the collaboration of John Rogove (University of Minnesota Press, 2017). She is directeur de Programme at the Collège International de Philosophie, Paris (Ciph). She is visiting fellow at King's College London, where her program for the Ciph is hosted by the departments of Digital Humanities and the Department of French, in association with the Centre for Art and Philosophy. She is a member of the editorial boards of the Ciph's book series at the Presses de Paris Nanterre and of its journal of philosophy, Rue Descartes, where she has recently become co-responsible for the epistemology section, as well as being contributing editor for Angelaki: Journal of the Theoretical Humanities; commissioning editor for the independent publisher Copy Press; and guest editor at Nature: Humanities and Social Sciences Communications. Cecile Malaspina obtained her doctorate in epistemology, philosophy and history of the sciences and technology from Paris 7 Denis Diderot and her Masters in contemporary French philosophy and critical theory from the Centre for Research in Modern European Philosophy (CRMEP) in the UK. Before turning to philosophy she trained as an artist, art historian (Goldsmiths) and curator (RCA). Her main interest lies in the normativity of concepts, especially with regard to the aesthetic and ethical implications of conceptualising contingency and uncertainty.